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COLD SUN - DARK SHADOWS (2024) [MP3@320] [FALLEN ANGEL]
Dodał: Fallen_Angel
Data: 10-07-2026 15:02:39
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...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI...



Niewydany w epoce (i wznowiony po 20 latach przez Rockadelic) album uważany jest za absolutny majstersztyk ciężkiego psychodelicznego rocka. Zremasterowana hiszpańska reedycja z 2024 roku.


Najlepszy album psychodeliczny, jaki znam...

FA


Vivid peyote-induced psychedelia from Texas sounding like an impossible meld between the Elevators and the Velvet Underground but possessing a strongly unique disposition.

Recorded in 1970 but never released at the time, featuring future members of Roky Erickson’s backing band Bleib Alien / The Aliens.

Formed in Austin in the late 1960s by visionary lyricist and autoharp player Billy Bill Miller and his friend Tom McGarrigle on guitar, Cold Sun evolved from a band called Cauldron (later Amethyst) which at one point featured drummer John Kearney from Roky Erickson’s first band The Spades. Miller, a proto-Goth figure always dressed in black, highly influenced by Joe Meek and vintage sci-fi / horror movies, started to experiment with weird noises out of his electrified autoharp, favoring the audio-oriented drug mescaline over the LSD associated with hippies. Amethyst jammed with musicians such as Benny Thurman from the 13th Floor Elevators and Steve Webb from the Lost And Found (another International Artists band). The definitive Amethyst line-up, with Hugh Patton on drums and Mike Waugh on bass, played at venues like the I.L. Club, a historical landmark of Austin blues & psychedelic music.

It was through Mike Waugh’s friendship with Elevators drummer John Ike Walton that Billy Miller and the band (still unsure about their name but calling themselves The Daily Planet, changing it to Dark Shadows, and then to Cold Sun) hooked up with the local label / studio Sonobeat (Mariani, Wildfire, Johnny Winter…), who expressed interest in recording an album with the intention to shop it to a major label: thus, the now-legendary Cold Sun album was born. The band, driven by Miller’s strange electrified autoharp sounds plus the massive fuzz guitar of McGarrigle, dressed with feedback and futuristic lyrics, laid down several tracks in between rehearsals at Miller’s house on Castle Hill (west Austin). The album opens with “South Texas” (“the ultimate psychedelic track,” according to Patrick “The Lama” Lundborg), climbing to a psychedelic summit with the final 11 minutes of the fervently intoxicated “Ra-Ma”.

Never released at the time, the Cold Sun album languished in oblivion and the musicians moved on to other things. Billy Bill Miller along with drummer Hugh Patton founded Bleib Alien (later The Aliens), the famous backing band of Roky Erickson, with Billy being essential in bringing Roky back to music after his stay at Rusk Mental Hospital.

It wasn’t until 1990 that the Cold Sun album was finally released on vinyl by the Rockadelic label (in a tiny edition of 300 copies), followed by a new edition on German label World In Sound in 2008, now out of print.

For this new edition on Guerssen, we’ve tried to imagine how the Cold Sun album could have looked like if it had been actually released in 1970. It comes in a hard cardboard sleeve with vintage styled artwork by psychedelic illustrator Callum Rooney.

Sourced from the same audio master as the original Rockadelic LP, the sound has been vastly improved thanks to the meticulous and careful restoration / remastering by audiophile engineer Ezra Lesser, who has also penned the definitive story of Cold Sun for the liner notes.

*Vintage styled artwork by Callum Rooney
*Audiophile restoration / remastering by Ezra Lesser
*Booklet with detailed liner notes and photos

“One of the most important psychedelic records, and unlike any other one.” – Paul Major



It's been a while since I've been so intrigued with an album like this one. My first listen was bizarre as all I knew was that this was released in 1989 and it was a Psychedelic record. Bizarre because the vocals and fuzzed out guitar sounded straight out of 1968 or 1969. I felt like I had discovered something special here and after doing some research I found out that this was originally recorded in 1969 but the record label went bankrupt leaving this on the shelf until Rockadelic Records picked it up and released it 20 years later. That answered some questions I had. COLD SUN was the project of Bill Miller who plays an electric autoharp here along with harmonica and sings. This band was from Austin, Texas the home of the 13TH FLOOR ELEVATORS. That band's leader Roky Erickson would hook up with Bill Miller later on in Roky's band called ROKY ERICKSON AND THE ALIENS who released two great albums in the early eighties.
There's some dispute with the release date of "Dark Shadows" as Discogs has it at 1993 and many point to a magazine interview where it says Rockadelic Records discovered this album in 1991 and released it the following year. I feel 1989 is right along with RYM because on the Rockadelic web-site it has their releases by catalogue number in order and it had to be 1989 unless they were in the habit of giving catalogue numbers then not releasing the album for a few years. I'm going with 1989. I have the 2008 re-issue which sounds a lot better apparently. Interesting that the 13TH FLOOR ELEVATORS were known for that electric jug while COLD SUN was known for that electric autoharp. This is a dark and moody album including the lyrics that are so well done. By the way COLD SUN originally had the 13tH FLOOR ELEVATORS drummer but he left before the recording of this record.

"South Texas" is a great opener and I really dig the lyrics, especially talking about the gecko and paranoia. The fuzzed out guitar and autoharp are outstanding and check it out before 2 minutes as it's like the sun has come out making the darkness flee briefly. So cool. Harmonica after 3 1/2 minutes then more fuzzed out guitar late. A nice start. "Twisted Flower" is another excellent track and it opens with percussion and bass as it builds. Kind of a DOORS feel with the guitar then the vocals arrive before a minute. I really liked this right from the first listen. The guitar and autoharp sound incredible here.

"Here In The Year" is probably my favourite song on here. Again the lyrics are so well done. Drums, bass and autoharp to start as vocals join in. It's surprising how much he sounds like Bob Dylan on this song at times. How good does this sound just before 2 minutes as it changes slightly. So good! Suddenly we get chaos before 3 minutes as they rip it up. Back to the vocals before 3 1/2 minutes as the guitar solos over top. Insanity again after 5 1/2 minutes as we get another freak-out. It settles back again along with droning autoharp sounds, a beat and more.

"For Ever" is an uptempo track with desperate sounding vocals and we get backing vocals too. I like the guitar too then we get a change 1 1/2 minutes in sounding like Zappa's debut to me, especially again late. In between we get an explosion of sound 3 minutes in. "See What You Cause" is a catchy vocal led track with drums and bass supporting. Too straight forward for my tastes although I like it especially the fuzzed out guitar late.

"Fall" opens with drums as harmonica, guitar, bass and autoharp join in. Great lyrics again. It settles after 2 minutes then it kicks in with vocals. Fuzzed out guitar after 3 1/2 minutes and an urgent sound with vocals. Pulsating keys late in this dramatic instrumental conclusion. "Ra-Ma" ends it and it's the longest at 11 1/2 minutes. Beats and cymbals as it builds. It calms right down a minute in with vocals and more. It picks right back up with vocals. Another calm after 3 minutes as the tempo continues to change. It settles with harmonica and vocals before 5 minutes. Some grinding fuzzed out guitar follows. An interesting sound late without vocals to end it.

I agree with Damo that this would be considered a classic and a pioneer album had it been released back in 1969 or 1970 when it was recorded. A very solid 4 stars and the album cover is really well done.

Mellotron Storm




1. South Texas 5:17
2. Twisted Flower 3:04
3. Here In The Year 8:50
4. For Ever 4:35
5. See What You Cause 3:40
6. Fall 7:20
7. Ra-Ma 11:20




Autoharp, Vocals - Bill Miller
Bass – Mike Waugh (tracks: 1 to 7)
Drums - Hugh Patton
Guitar - Tom McGarrigle



https://www.youtube.com/watch?v=cAU9cYfBseY


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