...SIŁA I PIĘKNO MUZYKI TKWIĄ W JEJ RÓŻNORODNOŚCI
Trzeba zaznaczyć, że początki lat 70.tych w twórczości Milesa to był czas muzyki totalnej. Pochłaniał on ambiwalentne stylistyki, łączył te, które dziś żyją jako odrębne byty, a to wszystko w ramach konkretnych albumów i sesji nagraniowych. To także zadziało się na scenie Isle of Wight Festival. Niesamowicie potężna funkowa żywiołowość, rockowa gitara, psychodeliczna pulsacja, mocno wysunięty na przód elektryczny bas. Co istotne, Davis skupiał się wtedy na grze zespołowej, jako jednym organizmie, więc słuchając tego niespełna 36-minutowego seta, nie doświadczymy długich solówek na trąbce. Koncert na Isle of Wight Festival był czasem między In the Silent Way, Bitches Brew a On the Corner, był kulminacją, rozładowaniem elektryczno-gitarowej wizji Davisa, a wszystko przed 600-tysięczną publicznością, co dla jazzowego zespołu było ewenementem.
On August 29, 1970, Miles Davis was at the Isle of Wight Festival. Miles was preceded by Joni Mitchell, in particular, and followed by Ten Years After, Emerson Lake & Palmer, The Doors, The Who, Melanie, and Sly & The Family Stone. Instead of a Fender Rhodes, Chick Corea was given a Hohner Electrapiano and Keith Jarrett an electric organ, a RMI Electrapiano. Just as he was going on stage, Miles was asked what he was going to play. He answered, “Call it anything.” As in all of his concerts, it was pretty much a potpourri: none of his usual standards were on the program except for “The Theme” that concluded the concert. The only others were the opening number “Directions,” “It’s About That Time” (from In A Silent Way), “Bitches Brew,” “Sanctuary,” and “Spanish Key” (from Bitches Brew). All Miles had to do was to play the first notes of a phrase and the rest of the band would immediately take it up. The new saxophonist Gary Bartz highlighted Miles’ affinity with Ornette Coleman. Airto Moreira dwelt in this jungle of sound as though he himself were part of some kind of wild animal delegation.
Recorded live at the Isle of Wight Festival August 29, 1970.
1. Directions (J. Zawinul) 7:30
2. Bitches Brew (M. Davis) 10:09
3. It's About That Time (M. Davis) 6:17
4. Sanctuary (W. Shorter) 1:10
5. Spanish Key (M. Davis) 8:15
6. The Theme (M. Davis) 2:10
Trumpet - Miles Davis
Saxophone - Gary Bartz
Electric Piano - Chick Corea
Organ - Keith Jarrett
Bass - David Holland
Drums - Jack De Johnette
Percussion - Airto Moreira
https://www.youtube.com/watch?v=ErADnQSldZE
SEED 15:00-22:00.
POLECAM!!!
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